People all over my social media feeds have been posting this Russel Brand interview all day long. I ignored it for a while, because I've always been generally quite dismissive of Russel Brand. After the first three minutes, my perspective changed.
First, I wish I was that articulate and passionate about anything. Second, he's right about voting - what is the point?
The Highline Park and The Standard
Shot one afternoon during lunch.
Alexandra
October 2013 - Prospect Park Brooklyn, NYC
Roast Chicken
One of my go-to Sunday dinners is this roast chicken. I got all into photographing the prep, but sadly, I jumped the gun and forgot to shoot the end product. I can assure you, it was delicious, and yes, that is the neckbone.
Meatpacking District, NYC
Since security and privacy are on everyone's mind these days, I thought I'd share a couple of security-related products for the (justifiably) paranoid and tinfoil-hatted amongst you.
First, Undercover is a tiny, ingenious app by software maker Orbicule which runs innocuosuly in the background of your computer until you report it stolen via your online dashboard. At this point, Undercover kicks into gear, watching for your computer to connect to the Internet by any means, including ethernet, wi-fi or even Bluetooth. It then begins reporting your computer's location, its IP address, screenshots and keylogs in a comprehensive theft report that John Q. Law can use to recover your Precioussss for you. Particularly for laptop users, it's sneaky little supplement to Find My Mac that can give you an extra layer of peace of mind. It's $50, but if you use the link above to let 'em know I sent you, you'll get 25% off.
Next up is Espionage, by Tao Effect. This little gem encrypts files, folders, email - whatever - allowing you to use multiple master passwords to keep your files secure. Plus, they insist they haven't given those nosey Parkers over at the NSA any back doors into their encryption software, so you can be confident your data is safe from prying eyes. Espionage is $29.99, but you can save 10% by using the code UNDERCOVER10 until October 31st.
More here on Flickr.
From Dave Caolo on TUAW:
Finally, the message delivered by the iPhone 5s camera is clear: Apple is becoming a serious imaging company. They spent a lot of time on that camera. You don't need a point-and-shoot camera anymore. There's no need to find a cable or a memory card reader. This is your camera.
This is why it's so frustrating to serious photographers that on the other side of the serious imaging equation -- ie. serious image processing -- all we're getting from Apple is crickets.
I remember being all excited and diving in to the Aperture 3.0 update just as my wife and I were leaving for a vacation in Paris. We took that vacation in February 2010. The current version of Aperture is 3.4.5. In contrast, Adobe Lightroom version 3.0 was released in June of 2010. Lightroom 5.2 release candidate is available now on Adobe Labs.
On the other hand, during the keynote, Phil Schiller did say that the new camera system is "for the rest of us", though - for the folks that just want to get take a picture, and let their cameraphone do the work.
Twelve years ago, roughly, this was the best PowerBook I could get for the money (and I chipped away at that loan for an awful long time).
My current iPhone is an order of magnitude better in every way imaginable than that laptop.
A directory of links to help you delete your account on various different services. Useful.
So, as managing editor of CNN.com, I want our readers to know this: All you are to us, and all you will ever be to us, are eyeballs. The more eyeballs on our content, the more cash we can ask for. Period. And if we’re able to get more eyeballs, that means I’ve done my job, which gets me congratulations from my bosses, which encourages me to put up even more stupid bullshit on the homepage.
I don’t hesitate to call it stupid bullshit because we all know it’s stupid bullshit. We know it and you know it. We also know that you are probably dumb enough, or bored enough, or both, to click on the stupid bullshit anyway, and that you will continue to do so as long as we keep putting it in front of your big, idiot faces.
So good. And by the way, I'm excited to see what my pageviews look like, just for linking to a story mocking CNN for putting Miley Cyrus in the spot usually reserved for the most important news in the world.
Right-click on the canvas to view selected layers in Isolation Mode
One of the new features in Photoshop CC that might have slipped by you is a little gem that can help make your life easier when working on complex .psd files with tons of layers. Isolation Mode unclutters your Layers panel by only displaying the layers you're currently working on, and temporarily hiding everything else.
To enter Isolation Mode, with the Move tool active (press the V key on the keyboard), select the layer or layers you want to focus on, either by shift- or cmd-clicking on them in the Layers Panel, or by command-dragging (ctrl-drag, if you're on Windows) a selection around them on the canvas. With your cursor over the canvas, right-click and choose Isolation Mode from the resulting contextual menu.
Alternately, with your layers selected, you can click on the Filter menu at the very top of the Layers panel and choose Selected as the filter type.
Another way to enter Isolation Mode is to use the Layers Panel's Filter pull-down menu to only show selected layers
Right-click in the Layers panel to release a layer from Isolation Mode.
To remove a layer from the isolated set, right-click it in the Layers panel and choose Release from Isolation (if you don't see that option in your contextual menu, make sure your Move tool is active).
To add another layer to the isolated set, hover over it on the canvas, right-click, and select the layer.
Finally, to exit Isolation Mode entirely, you can always clear the Layers Panel's filters by clicking on the Filtering On/Off switch (it's the little guy at the top-right of the panel that turns red when filtering is on).
This is one of those great features that you probably didn't realize you needed, but now that it's here, you'll wonder how you ever got by without it.
In the spring, members of Congress set off to fly home for a holiday—and ran into mammoth lines at the airports. Why were things so bad? Because of airport furloughs caused by the “sequester.”
Critics warned that the sequester would cause hardship throughout the country, but congress-folk didn’t care — until they had to share in the pain. When they discovered that the sequester was eating into their vacation time, they rushed back to the Capitol and passed a law restoring funding to airports, working so fast that part of the bill was handwritten.
In short, when congress has to eat their own dogfood, they get shit done.
I like the idea from the comments, that the laws should be commented, just as code is commented.
This is incredibly inspiring: 97-year-old Hal "Grandpa" Lasko discovered Microsoft Paint decades after his retirement in the 70's and has been making art with it ever since.
Lev Kuperman, Wedding Photographer
Meat Packing District, October 2012
Midtown Manhattan, July 2013
Last summer, I wrote a review of the first release of Visual Supply Company's fantastic VSCO Cam app, so I thought I'd follow up with a review of the newly released - and newly free (with-in-app-purchases) VSCO Cam™ app.
Apologies in advance for the length of this review - I know I got a little wordy here. The fact is, every time I was about to wrap this up, I thought of something else to say, which should be an indication of the depth of this seemingly simple app. And in case you hadn't figured it out by now, I'm a huge fan. There are still some interface quirks, but in many ways, the app is a substantial improvement over the original, and for the first time, something other than Camera+ has taken the number one spot in my iPhone's dock.
The camera view in VSCO Cam, with the square guide and split focus and exposure reticules.
Shooting is pretty standard in VSCO Cam. Like the original app, it's designed for shooting images in succession, and editing them after the fact, as opposed to apps like Instagram, which force you to shoot, then edit and share before being able to shoot again.
New in this version of the app are advanced shooting modes. Tapping anywhere on the screen with two fingers splits the focus reticule into distinct focus and exposure locks, as is possible in apps like Camera+. Double-tap on the screen to re-unite the two reticules.
The shutter is triggered by tapping anywhere within the grey area surrounding the camera icon (other than the thumbnail of the most recent image, which opens up the app's photo library). If that's not a big enough target, there's also a button in the camera settings that toggles "big button" mode, allowing you to tap anywhere on entire screen to trigger the shutter.
There are a few other nice additions to the camera settings: on-screen guides that divide the screen into the either the standard rule-of-thirds grid, or into a square composition, which is nice for previewing how your image is going to look on Instagram.
There's also a low-light setting, which, when enabled, allows the app to take advantage of the iPhone 5's high ISO mode, and a button to enable the use of the LED flash. Finally, there's a white balance lock that lets you lock in the white balance of your subject, then recompose and shoot.
I noticed an intermittent bug when shooting where the photo sometimes gets auto-rotated to landscape mode. I couldn't reliably reproduce that bug, but it seems like it may have been occurring if the iPhone was tilted forward beyond a certain angle. Hopefully, this is something that gets fixed in an update.
The presets in VSCO Cam are what set it apart from the multitude of other camera apps out there. This makes sense, because the careful emulation of classic film looks is literally Visual Supply Company's bread and butter, in the form of their flagship VSCO Film presets for Aperture and Lightroom.
The new version of the mobile app sports a very nice, diverse selection of free presets that many users could be perfectly happy with. Those seeking a greater variety of looks, however, can tap over to the new store, where a wealth of additional preset bundles, which are available via in-app purchase, for the very reasonable sum of .99¢ per bundle. The store is nicely presented, too - each bundle has a very useful descriptions of the of the types of images they're best suited to, as well as sample images which illustrate the look of each preset. This is a huge improvement over the trial-and-error approach of the previous incarnation of the app.
There are currently a total of 48 presets; they can be filtered by category, such as "black & white", "portrait" or "vivid"; or alternatively, they can be sorted by "popular" and "recent", making them easier to browse through and pick from.
To get to edit mode, tap the edit icon - it's the one with the little paintbrush and wrench on (or double-tap a photo's thumbnail). This brings up the preset menu (don't forget to swipe from the right to see additional presets, which could be easy to miss). Each preset's button now shows a tiny preview of what the effect will look like on your photo.
Slide up from the bottom of the screen, or tap the little arrow below the presets, to reveal additional editing options. Tapping on the wrench icon brings up the Toolkit, which allows you to do things like color-correct, crop, sharpen, tint, add a vignette, and adjust shadows and highlights; while tapping on the paintbrush icon brings you back to the presets. Tapping the third icon repeatedly steps backwards through the edits that have been made to the photo in the current edit session (that is, before you hit the Done button), and the last button is the "bring me back to the original photo" button, aka the nuclear option.
One of my issues with the original app was that it took forever to export full-resolution images to the camera roll. Well, there's good and bad news on that front. The good news, I'm happy to say, is that there have been exponential performance improvements in this version of the app - saving to the camera roll is blazing fast, as is sharing to the various social sites like Instagram, Facebook, Twitter and Weibo (another great feature: you can choose which of these services show up in the Sharing menu via an option in the app's preferences). The bad news is that I experienced several nasty crashes requiring a hard reset of my iPhone when epxporting more than a handful of photos at a time - another issue which will hopefully be addressed soon.
Using the app is a lot of fun. As I was taking notes for this review on the subway, I actually spotted a fellow passenger using the app, and when I asked him about his impressions, he said he was obsessed - he just couldn't stop playing with it. And a woman on the train who overheard us gushing about it later tapped me and asked me for the name of the app and downloaded it on the spot as soon as the train emerged from the tunnel and cellular service returned.
In addition to the beautiful presets at the heart of VSCO Cam, the numerous other details, like the ability to rearrange your presets, or to set your preferred licensing options for your photos (all rights reserved, or creative commons) are a testament to the thought the developers put into this offering. Then there are the filtering options for your Library - tap to display only edited or flagged images. (It would have been nice to have a "not edited" or an "exported" option as well.) Finally, there's the Discover section, which is full of videos, articles, and tutorials for inspiration.
The app's only (minor) drawback might be its interface. It looks really nice, and you can tell that a lot of thought went into the visual design of the user interface elements. However, those pretty icons take a little getting used to, since they don't look like the standard camera app icons we're all familiar with. And though the mini previews that accompany each preset button are definitely appreciated, the color-coding within each bundle of presets seem a tiny bit arbitrary, and doesn't give any indication of what you might want to use those presets for. Also, from editing mode, it takes at least three taps to get back to camera mode - it would be nice to have a faster way to get shooting again.
It also took a little while for me to remember that the X icons are used for returning to previous menus, rather than for deleting images. Then again, when an image is selected in the Library, a trashcan icon (that does delete the selected image or images) appears right where the camera icon used to be. That could be seen as poor interface design (or I could just slow down a little when using the app).
Again, I consider these drawbacks to be fairly minor, after a week of using the app, I've already pretty much gotten over them.
VSCO Grid
One of the biggest and most ambitious new features added to VSCO Cam is no less than a publishing platform. That's right - the good people at Visual Supply Company had the gumption to develop a "minimalist publishing platform", as they describe it, and toss it in along with the new version of their app. They state pretty clearly that they're not trying to be a new Instagram (in fact they actively encourage sharing to that platform). Instead, VSCO Grid is a stripped-down venue for curating, publishing and discovering beautiful photography. It's not available to everyone right away (in fact, I'm still compulsively checking my email for my activation notice), since they're still working on ensuring that the platform will scale properly with heavy usage.
My minor gripes aside, there's a whole lot to like about this app. It's available for iOS only, and there's currently a huge launch sale on all of the 48 of the available presets for $5.99 (which is around 70% off of the price you'd pay if you bought each bundle separately). Additionally, if you were a user of the original VSCO Cam app, and you ran the last available update of that app, you got a nice little gift of the original presets for use in the new version of the app.
Get it now; highly recommended.
One of the hardest things for me to do is shoot portraits of random strangers on the street. The afternoon light was just too good, though, so I made myself approach these guys and ask if I could shoot. I'm glad I did.
June 2013 - Chelsea, NYC
Adobe rigged up a clever billboard to promote their upcoming Creative Days event using an SLR, some unsuspecting commuters waiting at a bus stop, and a hidden Photoshop artist in a van.
[via PetaPixel]
This video by Michael Ninness of Lynda.com from this year's Adobe MAX conference is long, but it's absolutely worth watching. I've used Photoshop since version 3.0 (not CS3, noob), and I learned a ton of new techniques from this.
