iPhone 11 Pro x Moment 15mm Fisheye

Now that I’ve had the iPhone 11 Pro for a few months, I just wanted to do a quick post about the value of using Moment lenses with this phone. I have the Moment 60mm, which is a telephoto equivalent; the Moment 18mm Wide Lens, and the Moment 15mm, or "Superfish", and I used them all regularly with my iPhone 7.

My Moment collection

But when the iPhone 11 was first announced, I wondered about whether these lens attachments would still be as useful, given that the iPhone now has those focal lengths covered with its built-in trio of lenses. Also, the Moment lenses require having a Moment case, with its bayonet lens mount, but the new iPhone 11 cases didn’t ship until sometime in December. By the time I finally received mine, I’d kind of gotten used to not having access to my Moment lenses at all, and was getting along just fine without them:

Sandia Crest, Albuquerque, NM

iPhone 11 Pro Telephoto

St. Francis of Assisi Basilica in Santa Fe, NM

iPhone 11 Pro Ultrawide

My iPhone 11 Pro with Moment Case

Anyay, I finally got my case, but I wasn't using the lenses. It was just more convenient to not have to carry them around, plus I could be seamlessly switching between the focal lenghts of my iPhone's stock lenses.

I was out shooting some low-light photography, and I eventually figured out at least one answer for why you'd still want to use these lenses: Night Mode. Apple's Ultrawide lens (0.5x, as it's indicated in the iPhone's Camera app) is great, but is limited in a couple of ways. First, it's got a smaller aperture than the Wide (aka default or 1x) lens, meaning it lets in less light. It also doesn't work with Night Mode, which makes it doubly tough to use in low light situations. But, you can solve that by using one of Moment's Wide or Fisheye lenses stacked on top of the built-in iPhone Wide lens:

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As you can see in the images above, Night Mode is impressive, but with the Moment 15mm Fisheye (fka the Moment "Superfish"), the field of view improves dramatically. These images are straight out of camera, with no adjustments, though as a matter of preference I'd normally correct some of the fisheye distortion using the Moment Pro Camera App.

Just as a matter of comparison, here's an image shot with the built-in iPhone 11 Ultrawide:

Same scene as the first two images, shot with the Ultrawide

My intention with this comparison isn't to disparage the Ultrawide; it's a fantastic addition to the hardware, and I'm willing to bet it'll get improved optics on Apple's next iPhone, which is safe to assume we'll hear about in September. It's just to illustrate what a difference Night Mode makes, and to show how you can compound those advantages with an add-on like the Moment lenses.

Similar results are available on the other end of the spectrum; namely, stacking a Moment telephoto lens on top of the built-in Tele lens will get you that much closer to your subject. Just be aware that you won't be able to use Portrait mode, because when a Moment lens is mounted on the iPhone's 2x lens, it obstructs the iPhone's other lenses, which it uses to read the scene and generate depth of field and bokeh.

Attached Moment lenses block the iPhone’s other lenses

iPhone 11 Pro: Not Innovative, My Ass

That title paraphrases a quip Phil Schiller made when introducing the 2013 MacPro (aka the "Trashcan"). He made that remark in reference to people accusing Apple of failing to innovate in its products since Steve Jobs' death a few years earlier.

We hear the same accusations being made in the tech press every year, like clockwork, when Apple introduces its new iPhones too. I guess any writing criticizing Apple is sure to generate pageviews, so I get it. (Incidentally, nobody reads this blog, maybe I need to change tactics? 🤔)

Anyway, maybe the iPhone 11 and 11 Pro aren't innovative. Many reviews have been written since Apple's new flagships made their debut back in September, and they all make mention of the same form factor, same notch, same Face ID, etc. as the X/XS/XRs that were released in the last two years.

But I'm writing this from the perspective of someone who upgraded to an iPhone 11 Pro from an iPhone 7. From my experience, this new iPhone feels downright magical. The speed, the quality of the images I'm able to make with it; everything about is vaguely reminiscent of what it felt like to go from a Sony Ericsson canybar phone to my very first iPhone back in 2010, just on a less dramatic scale.

The iPhone 7 I upgraded from has absolutely nothing wrong with it, other than some scratches on the finish, and a battery that doesn't hold a charge as long as it used to, which is to be expected from a 3-year-old phone. Given that our devices are getting good enough that they're starting to last this long, I wonder if it isn't time to start writing these reviews with that in mind. Or at least, if we as fans of the technology, start to acknowledge that as we crave the next leap forward in innovation.

Editing RAW on the Go with Lightroom Mobile

I had an awesome time at the Afropunk Battle of the Bands at the Knitting Factory the other night. All of the performances were incredible and dynamic (of course I think my friend Gbenga's band, Olu Bliss should have won, but I’m biased like that).

Anyway, it was a fun opportunity for me to indulge in a little bit of concert photography in an intimate, low-pressure setting. I got some great images, and I thought I’d use this as an excuse to write a bit about how I use Lightroom Mobile to begin processing a shoot like this on the go.

Lightroom Mobile is Adobe’s free mobile companion to the desktop version of the software. It has a ton of powerful editing features, and If you’re a Creative Cloud subscriber, it syncs back to the desktop, so you can continue editing on the big screen when you’re back at your computer. There are a lot of plusses about this workflow, but there’s also at least one significant downside, which I’ll get into later. With that said, let's get into it.

Import and Review

The show was in Williamsburg, which meant that I had time during the longish subway ride home to download my photos to my iPhone, using the handy SD to Lightning adapter that’s usually in my bag. I popped the card in the reader, connected it to the Lightning port, and opened the Photos app, (which is the only way to get images off an SD card onto your phone). Next, I tapped Import, then Import All. Boom - done.

Once the images were downloaded from the card (it took a while; I entertained myself by people-watching on the train), my next step was to open up LR Mobile and create a collection to hold the images from the event.

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Now that I had those images in Lightroom on my phone, I was able to easily swipe through and do a quick review of my shots from the event, adding “Pick” flags to the shots I liked the most, and then filtering the view to focus on just those flagged images. Just as I was finishing up, I got to my stop. Nice.

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One of the major advantages to a workflow like this is that I can now easily share a couple of my favorites from my fancy mirrorless camera (with its big sensor and great low-light performance that few mobile phones can match - I'm sorry, but them's the facts) on social media in a very immediate way. And since I’ve already done some initial rating/triaging of images, when I get back to the desktop, a big chunk of the work is already done. I can then spend a little more time and process the rest of the images from the shoot more carefully. Plus, it's a great way to kill time while traveling. Sweet!

The Caveat: Color Profiles

Okay, so this part is gonna get a little technical, but I feel like I have to talk about it. We all know that RAW images are great, because they give you more control over how you expose the highlights and shadows of your image. Lightroom has a default recipe called Adobe Standard that it uses to apply specific color, hue, saturation, etc. to every RAW file you import. On the Desktop, you can choose from a range of built-in profiles; you can even go as far as to set a specific RAW profile to be applied on a per-camera basis, but this option isn’t available in LR Mobile.

Okay. Stay with me; I realize that I'm off on a tangent here. The preview image you see on the back of your camera when you’re shooting is generated by a built-in, secret-sauce profile that your camera automatically embeds in the RAW files it saves. Why this matters, is because I’ve noticed that sometimes when I import images into LR Mobile, the second I start tweaking sliders and making adjustments, LR’s default profile (Adobe Standard, remember?) gets applied, and suddenly my image looks dramatically different than it did a second ago. Whaaaaat!?

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Note the solarization, aka distorted colors, in the performer's face. It looks kinda cool, but that's not what the scene looked like when I shot it.

This happens to me especially with low-light images, with funky lighting—aka concert lighting. As far as I know, the only way to fix it, is to hop over to the desktop version of Lightroom and apply a profile other than Adobe Standard to your images. In the Develop module, scroll down to the Camera Calibration panel and choose something other than Adobe Standard. If I’m using my Fuji X100S (as I was the other night), I usually choose PROVIA/STANDARD, because I believe it’s similar to the internal profile Fuji cameras apply, so it should bring it back to something close to what that original preview image looked like. Phew.

Lightroom's built-in camera profiles.

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Oh look - no more solarization! 

The good news is, this change in profile syncs back to LR Mobile, so you can continue editing there if you like. I know it makes for a clunky workflow, but judging from the complaints on Adobe’s forums, this seems to be a known issue. I really hope they figure out a way to fix it in a future version of the app.

Wrap it Up

Okay, this turned out to be a lengthy, tech-heavy post, and it has quite a large caveat, so take that into consideration. But I can definitely recommend this workflow as a way to get a jump-start on importing and triaging images while on the go. And it's a great way to quickly share some favorite shots on social networks - as long as they don’t need to have a different color profile applied (which you can only do on the desktop).

Moment

I got a nice little surprise when I got home today - the new Moment Wide lens and Photo Case that I backed on Kickstarter arrived in the mail today, rather than on Saturday, as i was expecting.

Moment Photo Case, Moment Wide Lens (V2) and Moment Tele (V1 with adapter) 

I've only just gotten this kit, so I don't have much of to say in terms of performance yet. I do like the new case - it's slim, and textured on the back, which gives it a bit of grippiness. Once the lens is attached, though, the added weight tweaks the balance of the phone a little, and could make it a somewhat spill-prone. The case does have a spot to attach a wrist or neck strap—several styles of which are available for purchase on Moment's online store—which is something I might consider getting. 

The V1 Tele lens with the adapter

One other thing: my first-gen Tele lens never fit well on the Moment case I got for my iPhone 6. It always seemed like it was on the verge of falling off, since it never locked into place, but rather kept spinning, as though the bayonet mount was stripped. Luckily, the new adapter that came with my Kickstarter reward (also available at the Moment store, for $5), was easy to attach and provides a nice, firm connection to the case. 

Shot with Moment Wide, V2 on iPhone 7

I'm looking forward to spending some time with these two lenses, and will definitely post again with updates once I've had a chance to do that. 

MacSparky on Apple AirPods →

A reasoned first take on Apple's AirPods from David Sparks, aka MacSparky. His take confirms my expectation that they won't work for me, as the current EarPods that Apple ships with every iPhone fall out of my ear with the slightest movement of my head, so I never use 'em. Plus, I like something that has a little noise reduction, if not noise cancellation, so I can block out the annoying chatter on the subway.

I'm still bullish on the tech, though, specifically Apple's W1 chip, which improves pairing and wireless sound quality. I have personally tried the new BeatsX wireless headphones, which also feature the W1 chip, and will probably get a pair of those when they're available.

Thoughts on Flash* →

David Evans in an article on AdAge, once again heralding the demise of Flash:

In short, the "Flashpocalypse" is coming, and it's up to you to decide what your agency is going to do about it.

Sound familiar? This time, though, there might be something to it. Starting in September, Chrome will be the third of the Big Three browsers to idle Flash content by default on load, meaning Flash ads will be paused until the user voluntarily clicks to play them (hah!).

As one who (mostly) still keeps the lights on by creating new things with Flash, I have a couple of thoughts.

Firstly, this was only a matter of time - nobody's really shocked by this, although I think we in the advertising industry have become, as the article says, very comfortable with Flash. People have been proclaiming that Flash is "sunsetting" for years. Fine, we've all accepted that premise, and yet – during those intervening years, I’ve been an interactive/Flash developer at two premiere New York ad agencies with scores of blue-chip clients on their rosters, and I've only worked on one HTML5 banner campaign. I guess media teams just aren't buying it for desktop campaigns? Maybe that's where the education needs to be happening. Even for mobile, the default has been to deliver static images, rather than even the most basic HTML5 animation.

Say what you will about Flash, it does have the advantage of being well-known by a pretty solid number of devs, and we’ve learned to accomplish an awful lot within those absurdly archaic 40k file size specs. On the other hand, the author is right: to this day, I still can't get a straight answer as to what the file size spec is for an HTML5 banner, and you simply can’t replicate the kind of rich animation and interactivity that Flash is capable of in HTML5 in less than 100k (the latest version of jQuery alone is almost 30k, and that’s minified and gzipped).

And then there's QA. There’s no question that we have been spoiled with the ubiquity and predictability of the Flash plugin. Usually, the QA process for most standard banners is to check file size, check that it doesn't exceed the :15s animation limit, and make sure it clicks through to something. HTML5 ads bring with them all the complexity of cross-browser/cross-platform compatibility testing. Also, most of the exacting creatives I know aren't going to be satisfied with what you can get out of the existing ad building platforms (fade in, fade out, slide in, slide out...), so roll-your-own is pretty much the only real option, which means extensive QA time.

It might not sound like it, but having said all that, I'm glad this is happening. It'll force me to get deeper into the vagaries of HTML/JS/CSS, which is a good thing. And, there's really no need to shed a tear for Adobe and the Flash platform either - after all, the Flash plugin might be on its way out, but Flash Professional is still a perfectly viable prototyping tool, able to publish JavaScript animations using CreateJS, export animations as sprite sheets, produce WebGL content, and much, much more.

In short... Flash is dead. Long live Flash.

*With respect to Steve Jobs

Thoughts on 1Password and MacID →

Now that I have two TouchID-enabled devices, entering passwords by typing them feels like what I imagine it would be like having to write prose with a chisel and tablet after getting used to using a pen - especially now that iOS 8 allows for 1Password integration throughout your i-device. Quick recap: 1Password is a password manager that securely stores all your passwords to everything, obviating the need for you to remember - or even come up with - any passwords except for the one that protects its database. It's cross-platform and works with all your favorite browsers. Amazing.

Anyway, before extensions allowed for 1Password's iOS integration, if you're like me, and don't know any of your passwords to anything, logging in to a website or app on an iPhone or iPad went something like this:

1. Open site/app that asks for a password
2. Grit teeth and sigh resignedly
3. Go back to Home screen and tap 1Password
4. Enter your long and secure 1Password Master Password
5. Find password to app in question (or create a new entry in 1Password for said app, and let it generate a suitably secure password for you)
6. Copy password
7. Hop back over to the app in question (yay, multitasking!)
8. Type in your username, paste the password, and try to remember that despite your current state of annoyance, we're still living in an age of technological miracles and wonders. Everything is amazing.

Now that iOS 8 Extensions are a thing, the process goes something like this:

1. Open site/app that asks for a password
2. Tap Share button and swipe right to 1Password extension
3. Tap the icon, then use your finger to unlock 1Password
4. Oh look - 1Password knows your credentials for the site/app you're trying to access. Tap to fill in your credentials, and be on your merry way.

Treehouse's app has 1Password support built-in. Amazing. More like this, please.

It is a downright joyous experience compared to the old way, and it's no exaggeration to say that simplifies my life a lot, especially since I am doing more and more with my iPhone and iPad. I tweeted the good folks at AgileBits a few months ago, wondering if something like this was possible on the Mac - ie. could I use my iPhone/iPad's TouchID to unlock an app on the desktop. It turns out, it is at least partially possible: MacID lets you designate an iOS device as a touch-enabled "key" for your desktop machine, and unlock a password-protected lock screen when you return to your computer. Sweet!

I've only just tried it a couple of times, but from my first impressions it seems really promising. I'm not quite paranoid enough to be able to thoroughly think through any negative security implications of this. MacID never connects to the internet, so the chances of your login password getting hijacked that way are zilch. I can't wait for this to grow into a fully-supported technology that becomes something baked into iOS 9/OS X Big Sur (or whatever the next OS X ends up being called).

The current state of computing and devices still forces us to choose between security and convenience, but apps like 1Password and MacID, and technologies like TouchID are at least getting us part of the way towards the convergence of those two ideals.

Handling Kim Kardashian's Butt →

Fascinating write-up on how Paper Magazine prepared for the deluge of humanity that was going to come to their site to look at Kim Kardashian's butt. (via daringfireball.net)

Year in Review

I decided to do my own Year in Review - one that I think is a little more personal than the one that the Facebook algorithm generated for me - by selecting 24 images (two for each month) that represent my 2014.

I started off the year with a teaching gig at Miami Ad School's Brooklyn outpost, which gave me a good excuse to roam around DUMBO with my then-new Fuji X100S. In February, I went on an absolutely fantastic trip to Morocco with my wife. This trip was one of the highlights of the year for me (another great opportunity to road-test my new camera), and I can't believe it's already been almost a year.

I spent Memorial Day with my family at my sister's place in Virgina. It was right around that time that I noticed a funny, squishy bump on my elbow that turned out to be bursitis. It eventually led to me needing surgery, and being stuck in a pretty gnarly brace for a total of five weeks this summer.

I made my annual pilgrimage to the Brooklyn Hip Hop Festival, which, to my chagrin, moved to Williamsburg this year. It was co-headlined by Jay Electronica and Raekwon, and featured a very special guest named Jay-Z.

In the fall, a group of us rented a place upstate via Airbnb, and went ziplining at Hunter Mountain to celebrate my good friend's 40th birthday. I was also lucky enough to take not one, but two trips to California -- one for the ADCOLOR conference, and one to reunite with my two closest friends from high school.

Overall it's been a good year, and it has ended with some promising developments (more on those later) which should start 2015 off on a strong note.

With that said, here are 24 images that recap my 2014.

Why Website Speed is Important - SixRevisions

Let’s do some back-of-the-napkin calculations.

Last year alone, Amazon’s estimated revenue totaled $74.5 billion.

Based on Linden’s disclosure, increasing page loading times by just a fraction of a second would cost Amazon $745 million a year in lost revenue!

I'm no analytics guy, but it sounds like we in the business of building websites need to make them load faster.

Except for the AOL case study on the bottom of the page, the article doesn't really mention connection speed, though. I bring that up to say that this seems like a pretty strong argument for improving broadband speeds in America, like the telecoms are supposed to be doing anyway, but are dragging their feet on, because why should they; they already got their National  Broadband Plan money.

Your First Mac

As part of their 30th Anniversary of the Mac celebration, Apple has a cool year-by-year visualization of peoples' first Macs and what they used them for. Scrubbing through the timeline, it's interesting watching Internet & Email surge into popularity in the mid-90s - followed by the decline of Desktop Publishing shortly thereafter.

I've used Macs since college - in my freshman year, one of my friends had a Mac SE II, which was an amazing machine for playing Tetris (and writing papers, of course). Later, when I transferred to SCAD, the labs also had a bunch of Quadras and various other assorted Macs in the Desktop Publishing and Computer Art departments.

I've worked on nothing but Macs at the various advertising gigs I've had since I graduated, but the first Mac that I bought for myself was a 15" G4 PowerBook in 2001. The thing had 8MB of VRAM and a 500Mhz processor, and it cost me close to $4000, but it lasted a good 6 years before it started to feel old and sluggish. It shipped with OS 9, but I remember running at least up through OS 10.4 (maybe even 10.5) on it, which is kind of impressive, looking back on it. It's still one of my favorite Macs, in terms of its design, although it had its issues (the stress cracks near the hinges, the heat, etc.).

My setup, circa 2007. MacBook Pro and G5 Tower.

Around 2003, I had a brief part-time gig at the Soho Apple Store. That was a fun gig, and the employee discount helped me get a G5 tower and one of those giant plastic-bezeled 23" Cinema Displays.

Eventually, I upgraded from my old PowerBook to one of the Intel-based (and now aluminum rather than titanium) 15" MacBook Pros.

2009 - iMac 27" and MacBook Pro

When the G5 got long in the tooth, I replaced that with a 27" iMac. This was about the time I was finally sold on the iMac as a high-end machine - by now there was no point in spending $2500 on a MacPro (tower only!) just because I considered myself a power user.

A couple of years later, I got my first (and only, so far) iPad (the 2nd-gen version), and ended up selling my MacBook Pro.

Current setup: unibody MacBook Pro with Thunderbolt Cinema Display

For a while there, I was rocking the iMac/iPad combination, and it was cool, but I missed the ability to go completely mobile and get work done. Don't misconstrue that as me validating the "iPads-are-for-content-consumption" trope - the fact is, my 9-to-5 requires me to work on desktop-only apps like Flash Professional and Photoshop. Plus, I use Aperture to manage my giant photo libraries (though I'm dabbling with Lightroom more and more lately, given the neglect Aperture has been suffering).

I've always held on to the philosophy that I should get the best computer I could afford, and that way I could extend its useful life for as long as possible, and then sell it for a pretty decent price. That's worked for me for the last 13 years and 5 Macs.

So that's my Mac history - what's yours?

iPad Art - Morgan Freeman Finger Painting

I'm genuinely surprised that there are still people who bring out the "iPads are for consuming content" trope.

On another note, this got me remembering something from my old art school days. The abstract expressionists, if I remember right, were all about boiling down a medium to the essence of that medium. The things unique to painting that make it essentially painting are paint and a canvas (and maybe a brush). They weren't keen on one medium emulating another, and as such, weren't into photorealistic painting. But here's Kyle Lambert taking it a step further, using a virtual canvas on a digital thing to emulate photography. Interesting stuff.

Pencil | FiftyThree

I've been quite pleased with my iPad 2 over the last two-and-a-half years, not feeling the familiar twinge of gadget envy when newer devices like the iPad 3, 4, or Mini came out.

That's started changing lately, particularly as the Apple cogniscenti have been pushing out their reviews of the iPad Air (and Mini), but I've been coping - even though I'm noticing more and more lagging here and there during day-to-day use of my aging precioussssss.

But just today I was reading about Wacom's Intuos Creative Stylus, and I was shocked to see that it was incompatible with the iPad 2. It's expensive, but I won't lie - I was bummed.

And now this: the Pencil, by FiftyThree, makers of one of my very favorite apps, Paper. Again, it's incompatible with my iPad, and the culprit is low-energy Bluetooth, which only made its appearance on Apple's tablets post-iPad 2.

If I'm being realistic about it, I don't think I can exactly afford to upgrade my iPad at the moment. But it's official: I'm definitely lusting after a new one.

My First PowerBook

Twelve years ago, roughly, this was the best PowerBook I could get for the money (and I chipped away at that loan for an awful long time).

My current iPhone is an order of magnitude better in every way imaginable than that laptop.