Let Me Explain Why Miley Cyrus’ VMA Performance Was Our Top Story This Morning | The Onion →

Simon Abrams August 26, 2013

So, as managing editor of CNN.com, I want our readers to know this: All you are to us, and all you will ever be to us, are eyeballs. The more eyeballs on our content, the more cash we can ask for. Period. And if we’re able to get more eyeballs, that means I’ve done my job, which gets me congratulations from my bosses, which encourages me to put up even more stupid bullshit on the homepage.

I don’t hesitate to call it stupid bullshit because we all know it’s stupid bullshit. We know it and you know it. We also know that you are probably dumb enough, or bored enough, or both, to click on the stupid bullshit anyway, and that you will continue to do so as long as we keep putting it in front of your big, idiot faces.

So good. And by the way, I'm excited to see what my pageviews look like, just for linking to a story mocking CNN for putting Miley Cyrus in the spot usually reserved for the most important news in the world.

Right-click on the canvas to view selected layers in Isolation Mode

Photoshop Quick Tips: Isolation Mode

Simon Abrams August 8, 2013

One of the new features in Photoshop CC that might have slipped by you is a little gem that can help make your life easier when working on complex .psd files with tons of layers. Isolation Mode unclutters your Layers panel by only displaying the layers you're currently working on, and temporarily hiding everything else.

To enter Isolation Mode, with the Move tool active (press the V key on the keyboard), select the layer or layers you want to focus on, either by shift- or cmd-clicking on them in the Layers Panel, or by command-dragging (ctrl-drag, if you're on Windows) a selection around them on the canvas. With your cursor over the canvas, right-click and choose Isolation Mode from the resulting contextual menu.

Alternately, with your layers selected, you can click on the Filter menu at the very top of the Layers panel and choose Selected as the filter type.

Another way to enter Isolation Mode is to use the Layers Panel's Filter pull-down menu to only show selected layers

Right-click in the Layers panel to release a layer from Isolation Mode.

To remove a layer from the isolated set, right-click it in the Layers panel and choose Release from Isolation (if you don't see that option in your contextual menu, make sure your Move tool is active).

To add another layer to the isolated set, hover over it on the canvas, right-click, and select the layer.

Finally, to exit Isolation Mode entirely, you can always clear the Layers Panel's filters by clicking on the Filtering On/Off switch (it's the little guy at the top-right of the panel that turns red when filtering is on).

This is one of those great features that you probably didn't realize you needed, but now that it's here, you'll wonder how you ever got by without it.

If Politicians Had to Debug Laws Like Software, They'd Fix the Bugs | Wired Opinion | Wired.com →

Simon Abrams July 27, 2013

In the spring, members of Congress set off to fly home for a holiday—and ran into mammoth lines at the airports. Why were things so bad? Because of airport furloughs caused by the “sequester.”

Critics warned that the sequester would cause hardship throughout the country, but congress-folk didn’t care — until they had to share in the pain. When they discovered that the sequester was eating into their vacation time, they rushed back to the Capitol and passed a law restoring funding to airports, working so fast that part of the bill was handwritten.

In short, when congress has to eat their own dogfood, they get shit done.

I like the idea from the comments, that the laws should be commented, just as code is commented.

The Pixel Painter: A 97-Year-Old Man Who Draws Using Microsoft Paint from Windows ’95 →

Simon Abrams July 25, 2013

This is incredibly inspiring: 97-year-old Hal "Grandpa" Lasko discovered Microsoft Paint decades after his retirement in the 70's and has been making art with it ever since.

Shooting the Shooter: Lev Kuperman

Simon Abrams July 10, 2013

Lev Kuperman, Wedding Photographer

Meat Packing District, October 2012

West Side Sunset

Simon Abrams July 9, 2013

Midtown Manhattan, July 2013

Anna and Dolly

Time Warner Center

14th Street Union Square

Woman on the Q-Train

Crowded Commute

Portrait of Strangers

8th Avenue

15th Street

HSBC Tower

The Big VSCO Cam™ 2 Review

Simon Abrams June 15, 2013

Last summer, I wrote a review of the first release of Visual Supply Company's fantastic VSCO Cam app, so I thought I'd follow up with a review of the newly released - and newly free (with-in-app-purchases) VSCO Cam™ app.

Apologies in advance for the length of this review - I know I got a little wordy here. The fact is, every time I was about to wrap this up, I thought of something else to say, which should be an indication of the depth of this seemingly simple app. And in case you hadn't figured it out by now, I'm a huge fan. There are still some interface quirks, but in many ways, the app is a substantial improvement over the original, and for the first time, something other than Camera+ has taken the number one spot in my iPhone's dock.

The camera view in VSCO Cam, with the square guide and split focus and exposure reticules.

Shooting

Shooting is pretty standard in VSCO Cam. Like the original app, it's designed for shooting images in succession, and editing them after the fact, as opposed to apps like Instagram, which force you to shoot, then edit and share before being able to shoot again.

New in this version of the app are advanced shooting modes. Tapping anywhere on the screen with two fingers splits the focus reticule into distinct focus and exposure locks, as is possible in apps like Camera+. Double-tap on the screen to re-unite the two reticules.

The shutter is triggered by tapping anywhere within the grey area surrounding the camera icon (other than the thumbnail of the most recent image, which opens up the app's photo library). If that's not a big enough target, there's also a button in the camera settings that toggles "big button" mode, allowing you to tap anywhere on entire screen to trigger the shutter.

There are a few other nice additions to the camera settings: on-screen guides that divide the screen into the either the standard rule-of-thirds grid, or into a square composition, which is nice for previewing how your image is going to look on Instagram.

There's also a low-light setting, which, when enabled, allows the app to take advantage of the iPhone 5's high ISO mode, and a button to enable the use of the LED flash. Finally, there's a white balance lock that lets you lock in the white balance of your subject, then recompose and shoot.

I noticed an intermittent bug when shooting where the photo sometimes gets auto-rotated to landscape mode. I couldn't reliably reproduce that bug, but it seems like it may have been occurring if the iPhone was tilted forward beyond a certain angle. Hopefully, this is something that gets fixed in an update.

Editing

The presets in VSCO Cam are what set it apart from the multitude of other camera apps out there. This makes sense, because the careful emulation of classic film looks is literally Visual Supply Company's bread and butter, in the form of their flagship VSCO Film presets for Aperture and Lightroom.

The new version of the mobile app sports a very nice, diverse selection of free presets that many users could be perfectly happy with. Those seeking a greater variety of looks, however, can tap over to the new store, where a wealth of additional preset bundles, which are available via in-app purchase, for the very reasonable sum of .99¢ per bundle. The store is nicely presented, too - each bundle has a very useful descriptions of the of the types of images they're best suited to, as well as sample images which illustrate the look of each preset. This is a huge improvement over the trial-and-error approach of the previous incarnation of the app.

There are currently a total of 48 presets; they can be filtered by category, such as "black & white", "portrait" or "vivid"; or alternatively, they can be sorted by "popular" and "recent", making them easier to browse through and pick from.

To get to edit mode, tap the edit icon - it's the one with the little paintbrush and wrench on (or double-tap a photo's thumbnail). This brings up the preset menu (don't forget to swipe from the right to see additional presets, which could be easy to miss). Each preset's button now shows a tiny preview of what the effect will look like on your photo.

Slide up from the bottom of the screen, or tap the little arrow below the presets, to reveal additional editing options. Tapping on the wrench icon brings up the Toolkit, which allows you to do things like color-correct, crop, sharpen, tint, add a vignette, and adjust shadows and highlights; while tapping on the paintbrush icon brings you back to the presets. Tapping the third icon repeatedly steps backwards through the edits that have been made to the photo in the current edit session (that is, before you hit the Done button), and the last button is the "bring me back to the original photo" button, aka the nuclear option.

One of my issues with the original app was that it took forever to export full-resolution images to the camera roll. Well, there's good and bad news on that front. The good news, I'm happy to say, is that there have been exponential performance improvements in this version of the app - saving to the camera roll is blazing fast, as is sharing to the various social sites like Instagram, Facebook, Twitter and Weibo (another great feature: you can choose which of these services show up in the Sharing menu via an option in the app's preferences). The bad news is that I experienced several nasty crashes requiring a hard reset of my iPhone when epxporting more than a handful of photos at a time - another issue which will hopefully be addressed soon.

Using the App

Using the app is a lot of fun. As I was taking notes for this review on the subway, I actually spotted a fellow passenger using the app, and when I asked him about his impressions, he said he was obsessed - he just couldn't stop playing with it. And a woman on the train who overheard us gushing about it later tapped me and asked me for the name of the app and downloaded it on the spot as soon as the train emerged from the tunnel and cellular service returned.

In addition to the beautiful presets at the heart of VSCO Cam, the numerous other details, like the ability to rearrange your presets, or to set your preferred licensing options for your photos (all rights reserved, or creative commons) are a testament to the thought the developers put into this offering. Then there are the filtering options for your Library - tap to display only edited or flagged images. (It would have been nice to have a "not edited" or an "exported" option as well.) Finally, there's the Discover section, which is full of videos, articles, and tutorials for inspiration.

The app's only (minor) drawback might be its interface. It looks really nice, and you can tell that a lot of thought went into the visual design of the user interface elements. However, those pretty icons take a little getting used to, since they don't look like the standard camera app icons we're all familiar with. And though the mini previews that accompany each preset button are definitely appreciated, the color-coding within each bundle of presets seem a tiny bit arbitrary, and doesn't give any indication of what you might want to use those presets for. Also, from editing mode, it takes at least three taps to get back to camera mode - it would be nice to have a faster way to get shooting again.

It also took a little while for me to remember that the X icons are used for returning to previous menus, rather than for deleting images. Then again, when an image is selected in the Library, a trashcan icon (that does delete the selected image or images) appears right where the camera icon used to be. That could be seen as poor interface design (or I could just slow down a little when using the app).

Again, I consider these drawbacks to be fairly minor, after a week of using the app, I've already pretty much gotten over them.

VSCO Grid

One of the biggest and most ambitious new features added to VSCO Cam is no less than a publishing platform. That's right - the good people at Visual Supply Company had the gumption to develop a "minimalist publishing platform", as they describe it, and toss it in along with the new version of their app. They state pretty clearly that they're not trying to be a new Instagram (in fact they actively encourage sharing to that platform). Instead, VSCO Grid is a stripped-down venue for curating, publishing and discovering beautiful photography. It's not available to everyone right away (in fact, I'm still compulsively checking my email for my activation notice), since they're still working on ensuring that the platform will scale properly with heavy usage.

Conclusion

My minor gripes aside, there's a whole lot to like about this app. It's available for iOS only, and there's currently a huge launch sale on all of the 48 of the available presets for $5.99 (which is around 70% off of the price you'd pay if you bought each bundle separately). Additionally, if you were a user of the original VSCO Cam app, and you ran the last available update of that app, you got a nice little gift of the original presets for use in the new version of the app.

Get it now; highly recommended.

Portrait of Random Strangers - 15th & 8th

Simon Abrams June 13, 2013

One of the hardest things for me to do is shoot portraits of random strangers on the street. The afternoon light was just too good, though, so I made myself approach these guys and ask if I could shoot. I'm glad I did.

June 2013 - Chelsea, NYC

Adobe's Real-Time Photoshop Prank

Simon Abrams June 10, 2013

Adobe rigged up a clever billboard to promote their upcoming Creative Days event using an SLR, some unsuspecting commuters waiting at a bus stop, and a hidden Photoshop artist in a van.

[via PetaPixel]

Source: http://petapixel.com/2013/06/07/adobe-pranks-pedestrians-at-a-bus-stop-with-real-time-photoshopping/

Photoshop Power Shortcuts →

Simon Abrams June 5, 2013

This video by Michael Ninness of Lynda.com from this year's Adobe MAX conference is long, but it's absolutely worth watching. I've used Photoshop since version 3.0 (not CS3, noob), and I learned a ton of new techniques from this.

Editable Rounded Rectangles in Photoshop CC

Photoshop CC Favorite Features: Editable Rounded Rectangles

Simon Abrams May 30, 2013

This is the first in a series of posts I'm going to be doing about my favorite new features in Photoshop CC. For the uninitiated, CC, or Creative Cloud, is the new designation that Adobe is giving their suite of applications as they move away from the "boxed" retail model of the Creative Suite to delivering their software via digital download.

Today, I'm focusing on a new feature that I, and many, many others, have been begging for for ages: editable rounded rectangles.

It might sound like a small thing, but it really is a big time-saver. In previous versions of Photoshop, you'd create a rounded rectangle Shape layer and whatever settings you used when you created the shape were immediately baked in the second you released the mouse. If you had to replicate that shape elsewhere (either in CSS or maybe as a vector shape in Flash), there was no easy way to figure out what the radius of that shape was without a whole bunch of trial and error, especially if you weren't the original designer that worked on the file. Now in Photoshop CC, you can simply click on the rounded rectangle vector shape and you'll notice that the Properties panel is now populated with all the editable properties of that shape (or Live Shape, as it's labeled in the panel).

The Live Shape Properties Panel in Photoshop CC

Not only do the radii of the rounded rectangle remain editable (or live) after the fact, you can independently edit the radius of each corner, allowing you to create irregular shapes like the ones shown in the screenshot above, without having to edit the shape's vector paths using the pen tool, or by combining shapes with boolean operations, as you would have had to do in previous editions of Photoshop.

I'm thrilled with this new feature - it definitely goes a long way towards solving at least one of the issues that interface and icon designers have had with creating and resizing HiDPI (aka Retina) graphics, and is a big part of Adobe's continuing enhancement of Photoshop's vector graphics capabilities.

Stay tuned for more posts highlighting additional new features in Photoshop CC.

Siblings

Simon Abrams May 30, 2013

Some of my favorite images from the Goldbergs' family session.

May, 2013 Central Park, NYC

Optimizing Performance in Photoshop

Simon Abrams May 29, 2013

Here's a quick little video from Photoshop Product Manager Zorana Gee on boosting Photoshop's performance. I never spotted that checkbox for not compressing .psd and .psb files - I think I'll have to enable that.

Discover ways to optimize your system for faster image editing and processing. With some features, performance in Photoshop CS6 can be 100 times faster than before. Additional performance tips can be found on Jeff Tranberry's Digital Imaging Crawlspace blog: http://adobe.ly/TdVcjV. Try or buy Photoshop: http://bit.ly/TryBuyPhotoshop Follow Photoshop: https://www.facebook.com/Photoshop https://twitter.com/photoshop https://plus.google.com/+Photoshop

Source: http://www.youtube.com/watch?v=Kjx9miQZXrE

Photo Credit: Hector Mediavilla/Picturetank — *Photo Credit: Hector Mediavilla/Picturetank*

Sapeurs

Simon Abrams May 10, 2013

A fascinating look at the sapeurs of the Republic of the Congo:

They are called sapeurs or members of the Societe des Ambianceurs et des Personnes Elegantes (the Society of Tastemakers and Elegant People). And when they go out, they turn the streets of Brazzaville, the capital of the Republic of the Congo, into a fashion runway.

Adobe Photoshop CC

Simon Abrams May 6, 2013

Even typing out that title I almost wrote "CS" out of sheer muscle memory. Excited to finally be able to talk about some of the awesome new features in latest version of Photoshop, including my favorite: editable rounded rectangles. (Whaaaat!)

Look for more posts here soon.