I ran into Phife on a flight to Savannah 20 years ago. I guess I hadn't mastered the indifferent-New-Yorker-that-doesn't-get-star-struck thing, because I asked him for an autograph, and he was gracious enough to sign my sketchbook.
RIP Phife.
I ran into Phife on a flight to Savannah 20 years ago. I guess I hadn't mastered the indifferent-New-Yorker-that-doesn't-get-star-struck thing, because I asked him for an autograph, and he was gracious enough to sign my sketchbook.
RIP Phife.
I've always loved shooting concerts. It's really satisfying capturing the energy of the crowd and the showmanship and stage presence of great performers. One of these days, I'm going to make good on one of my long-time goals, and get press credentials, or find a way to shoot a concert in an official capacity.
These were shot at this year's Advertising Week Wrap-up party at Webster Hall. I love the Advertising Week shows, because it's always a great opportunity to get access to incredible performances by some top-notch acts, including N.E.R.D, John Legend and The Roots, Big Boi, Wyclef Jean, and B.o.B. The performances are usually held in a relatively intimate setting, and it doesn't hurt that it's free for us industry types. I've made some of my favorite photographs at these events over the years.
Incidentally, for you photo nerds that like to pixel-peep, here's a 100% crop of one of the above images from the show, which are almost straight-out-of-camera (I think I tweaked the brightness/contrast ever so slightly in the Photos app on my iPhone). If you must nit-pick, yes, you can see a little softness, and yes, the pixels are a slightly chunky, but damn - I was standing at least 40-50 feet away from the stage!
I still can't get over the incredible low-light performance of the Fuji X100S, especially as it doesn't seem that long ago that I was still shooting with my Canon Rebel XT, and never dared go above ISO 800. That's a difference of four full stops of light, which means I would never have been able to make this image on that camera without using a flash or some additional light source.
One other note: in previous years, I would have been fully locked and loaded with my Canon 7D and L-series 70-200mm f/4 lens at these Advertising Week concerts, and as I said, I've made some images that really made me happy as a result of using that setup. Lately, though, I've been scaling back and am happy to take a more minimal approach to shooting - particularly when I'm on vacation, or shooting for myself and not for a paid gig. Not that I wouldn't shoot paid work with the Fuji; it's just that if I'm not being paid, I'm realizing that there's really no good reason to put in the extra effort of carrying all that extra gear. Simpler, most of the time, is better.
Anyhow, I had a great time at the show, despite not being a huge Wiz Khalifa fan. It happened to be my birthday, and there was open bar, so I'd say that worked out quite well.
Ghostface Killah at Brooklyn Hip-Hop Festival
Brooklyn, NY June 2007
A few shots from this year's Advertising Week opening night concert. More images on Fiickr.
And here is another beautiful example of the intersection of two topics that are right up my alley: science and hip-hop. The nerds over at Backyard Brains hooked up a squid to an iPod and stimulated its chromatophores (pigmented cells) with some Cypress Hill, and the results are beautiful.
I thought it very considerate that they played the censored version of the song, perhaps out of concern for the squid's delicate sensibilities.
[via John Nack]