Nostalgia Video of the Day: Max Fleischer's Small Fry

via youtube.com

On some one of his many trips abroad, my dad picked us up a VHS compilation called Cartoon Classics of the 1930s (at least, I think that was what it was called). It included a number of cartoons, including this one, and maybe one with Felix the Cat.

Anyway, a fragment of the song kept popping into my head, because one of the fish in our aquarium just gave birth (they're live-bearers) and my wife keeps referring to the "fry", which I don't think I ever realized was the term for baby fish.

Martini

Tanqueray Martini in the making

 

Continuing my boozy series of still-lifes, here are some of the essentials for making what many consider to be the classic martini. Some of the things I’ve learned over the last few days of shooting these still-lifes:
  • Your glasses and bottles are never as clean as you think they are
  • Reflections are a pain in the butt
  • Consuming the product while shooting it introduces complications

 

I'm Gellin'

Yeah, I hate that ad campaign as much as you probably do, but I really am gellin’ - in that I’m starting to see the versatility and importance of using them in my flash photography.

Check out this shot of a bottle of Captain Morgan’s 100-Proof Spiced rum:

There’s one speedlite in a softbox, camera-left, and another directly behind the bottle, with a Honl Speed Gobo strapped to it. I like it. When I look at it, I can almost feel the burn of that delicious golden liquid as it warms my insides.

Now check out this shot I made, after adding a red gel (what Sensei McNally calls the theatrical gels) to the speedlite that was behind the bottle.

Dramatic, huh? It’s a small thing, but it’s really starting to open my eyes to the importance of using gels, or at least the creative possibilities that they make available to me. I’m still wrapping my head around the concept of using gels to correct mixed lighting situations (I’m still in the “I shoot RAW, so I’ll just fix it in Aperture” mindset). But I’m determined to get more comfortable - after all it’s yet another tool to have ready at the arsenal.

Bonus: Here’s another shot of the same bottle when I pulled the camera off the tripod and went handheld (which is more in my comfort zone).

PS Quick Tips: Spring-Loaded Tools, Bird's Eye View and More

Photoshop Tips: Spring-loaded Tools, Bird’s Eye View and Interactive Brush Sizing from Simon Abrams on Vimeo.

It’s been forever, but I finally decided to demo and upload some more Photoshop tips. In this video, I cover Spring-Loaded tools, Bird’s Eye View, and a couple of other quick tips that were introduced back in Photoshop CS4, but that may have slipped under the radar.

Steve Wozniak to the FCC: Keep the Internet Free - Steve Wozniak - Technology - The Atlantic

What if we paid for our roads per mile that we drove? It would be fair and understandable to charge more for someone who drives more. But one of the most wonderful things in our current life is getting in the car and driving anywhere we feel like at this moment, and with no accounting for cost. You just get in your car and go. This is one of the most popular themes of our life and even our popular music. It's a type of freedom from some concerns that makes us happy and not complain. The roads are already paid for. You rarely hear people complain that roads are "free." The government shines when it comes to having provided us pathways to drive around our country.
via theatlantic.com

A great essay by Apple co-founder Steve Wozniak on what's at stake with Net Neutrality.

The New Family Time?

Family Time [85/365]

So, I don’t know about you, but I’ve noticed this new cultural phenomenon lately where people seem to be spending an awful lot of time on their laptops and smart phones…

Okay, I’m being kind of tongue-in-cheek about it, but it is something I’ve been thinking about a lot lately. My wife and I were talking about it last night, and we both realized that when we’re at home, we’re mostly doing stuff on our computers, and then we go to bed (usually pretty late), and then we go to work, and the cycle repeats itself.

I’m kind of conflicted about it, because I really like being on my computer. It’s one of the things I do to relax and entertain myself. The problem is, I also happen to sit in front of a computer for eight hours a day to keep the lights on, the upshot of which is aching hands and wrists, an aching neck, tingling forearms and other various afflictions that are so familiar to so many of us these days.

Besides the physical side effects, of course, there are the effects on our relationships, our concentration, our ability to learn and retain information. There are tons of books and articles exploring all of these questions, so I won’t delve too deeply into it here, except to say that at least we’ve started to talk about it in our house, which I think is a good first step. 

Anyway, for a while now, I’ve had the idea to start playing around and exploring how our online time is encroaching on our meatspace time via a series of photographs, so keep an eye on this space for more… I just need to check Facebook and Twitter first.

SimonAbramsPhotography.com: It's Alive!

Olivia and Brian

I’ve finally put the finishing touches on my dedicated photography site, simonabramsphotography.com. “Finishing touches”, who am I kidding - I’ll be fiddling with that thing forever - but the point is, it’s up and functioning. The purpose of the site is to serve as a place to go to see my photography portfolio (and, by extension, battle my online photography schizophrenia), and to promote my fledgling kids and family portrait photography side gig (Reasonable rates! Call or email for more info!).

Stop by and check it out, and leave a note in the guestbook if you’d like. Also, if you’re so moved, you can purchase high-quality prints and other great photo products as well. Bonus: Use coupon code ITSALIVE to save a couple of bucks at checkout.

Project 365

Elias [8/365]It’s been a minute since my last post (or 146,044 minutes, according to Wolfram Alpha), but I just wanted to make a quick update to point you to my latest personal photographic endeavor. It’s called Project 365, and the basic premise is that you take a photograph every day for a year. There’s a dedicated site and community built around the idea, but I opted to go the Flickr route, where I created a set and joined a Project 365 group.

I’ve been having a ton of fun with this exercise, and I’ve also been learning about myself as a photographer. It forces discipline by making me shoot every day. Yes, I’ve often been caught at 11:50pm running to go and shoot a picture of my cat before midnight, but I still think that the quality of my photographs has gone up overall, simply because I don’t want to include crappy images in this project.

Wood Shingles - iPhone Wallpaper


Shingles

I spent the weekend up in the Catskills with my wife this weekend, and found myself snapping tons of pictures of all the wonderful country textures. This one of the wooden shingles that covered the side of the converted carriage house that our room was in, is my current iPhone wallpaper. I shot it with the iPhone 4’s camera, and tweaked it slightly with Tiffen’s Photo fx iPhone app. Feel free to grab it from my Flickr feed if you like.

Pro-tip: if doing a web search for images of shingles for comparison, be specific and search for “wood shingles”, not just “shingles” - unfortunately, Google’s fancy new image search doesn’t come with an “un-see” button.

Self-Portrait of the Artist as a Nerd

Self-Portrait
Was messing around with some new gear I got after being inspired by the wonderful and talented Syl Arena’s excellent Speedliter’s Intensive Workshop which I attended at Adorama a few weeks ago, and came up with this shot of me nerding out in my office. Aside from my super-shiny face (sorry, didn’t have a makeup artist or stylist available at the time), I really like this shot. The framing could stand to be a hair wider, but my 17-55mm lens is in the shop for repairs to the IS system.
Camera info: I’m using Canon’s EOS Utility to focus, change camera settings and shoot via Live View on my laptop (because even though Aperture 3 now finally supports tethered shooting with most modern Canon cameras, it only gives you a shutter button and no other control over the camera). You can sort of see my Live View display via Screen Sharing in the lower corner of the iMac in the background.
Aperture Hot Folder is feeding the images into Aperture on my laptop. Also visible on the iMac are some earlier tests I did in Aperture, while the camera was tethered to that computer.

 

Feel free to check out the photo in larger sizes and poke around in the metadata over on Flickr.

Goodnight Brooklyn

Woodruff Ave, 6:06amJust a quick note to point you to my newest photo blog Goodnight Brooklyn. Early last year, for a photography class at ICP, I started a project which eventually evolved into night photography of different parts of Brooklyn, and this blog is my effort to keep the project going. The images that are currently up are older, as they’re part of the initial project, but I’m going to start including newer shots moving forward.

Iron Man 2 Text Effect in Photoshop CS5

Corey Barker has an awesome tutorial over on planetphotoshop.com that demonstrates how to recreate the Iron Man 2 logo the new Repoussé feature in Photoshop CS5. The tutorial does a great job of showcasing Photoshop’s growing 3D toolset, and reinforces that there are more and more things you can do without needing to rely on a dedicated high-end 3D software package like Maya.

Aperture 3 Unsung Feature: Simultaneous Use on Multiple Machines

Courtesy of Apple

I don’t know if I’m pointing out something everyone already knows, but one of the features of Aperture 3 that I really like is the ability to run it on my two machines at the same time, using the same license, on the same network. In previous versions, when Aperture was launched, it would detect that the same serial number was already in use on another machine on the network, flash you a dialog box alerting you to this, and quit immediately.